is proving to be quite a challenge, partly as there is a

“paradox at the heart of the enterprise, the inevitable tension between the distance required for apprehension — for a perspective to emerge in which events can find their proper place — and the pressured immediacy of vivid narrative.” from The Art of Time in Memoir by Sven Birkets.

It’s telling a story when the trauma, the wound of: Manjula’s death, the circumstances leading up to it, the wider context and my powerlessness to act on what was happening is still very much with me and therefore makes it harsh and tender by turns. It’s necessary but hard, so the telling of the tale doesn’t progress at a speed or in ways that I’d like..

It’s about knowing when to focus-in the lens and when to pull back, with both “experience tasted and experience digested.”

In addition, I’m having to write in proper English with the handicap that I’m from Yorkshire.

Manjula, still with me, gently sighs, as she’s seen it all before.