Sowbaghya and I visited the home for elders to sponsor their meals on the 23rd March on the anniversary of Manjula’s soul flying away.
It was a hoot. SB and I misplaced each other before arriving. Then there was the checking Aadhaar (ID) cards, completing the receipt, and at the last moment remembering to write to confirm it was in Manjula’s remembrance.
The guys remembered and others joined in recalling me cycling in the grounds with the giant picture of MAnjula, a year ago on the anniversary of her death.
I promised to return for her birthday in August. We all laughed and joked, very entertaining but I wonder what they really think.
Sowbaghya is preparing for today’s memories of Manjula.
is proving to be quite a challenge, partly as there is a
“paradox at the heart of the enterprise, the inevitable tension between the distance required for apprehension — for a perspective to emerge in which events can find their proper place — and the pressured immediacy of vivid narrative.” from The Art of Time in Memoir by Sven Birkets.
It’s telling a story when the trauma, the wound of: Manjula’s death, the circumstances leading up to it, the wider context and my powerlessness to act on what was happening is still very much with me and therefore makes it harsh and tender by turns. It’s necessary but hard, so the telling of the tale doesn’t progress at a speed or in ways that I’d like..
It’s about knowing when to focus-in the lens and when to pull back, with both “experience tasted and experience digested.”
In addition, I’m having to write in proper English with the handicap that I’m from Yorkshire.
Manjula, still with me, gently sighs, as she’s seen it all before.